The modern soul songs of Quinn Deveaux, sung in his sweet tenor over a spare guitar or carried by his band’s bright tones, evoke old images aplenty—from those gutbucket barrooms where rock-n-roll was born, to the pine-walled shacks, nearby, where its gospel-forebears rent their souls. But this artist’s singular sound, making old tones new, is Quinn’s alone. His acclaimed Blue Beat Review has been thrilling San Francisco’s lovers of rollicking early R&B, and a good time, for years. And now, with two LPs of his own fresh tunes set to drop this fall, the Bay Area’s best-kept secret is stepping out. Get on board: he’ll take you there, wherever you’ve got to go.
Quinn DeVeaux has packed houses and astounded audiences in the bay area for years with his smooth and dirty spank you voice and cool melodic songwriting. First he started an early Chicago Blues band and then a New Orleans soul and gospel band. Both groups had audiences clamoring for more. Now he has combined it all in the Blue Beat Review a self-styled crossroads of his many musical roots. Quinn harnesses the likes of Ray Charles, John Hurt, Fats Domino and Bo Diddley. His songwriting is the classic influence made fresh. With all the style and subtlety of the great soul/blues singers of the earth bound golden days, his band keeps audiences in a state of joy.